Yura Yura Teikoku - Yura Yura Teikoku No Shibire wav 6 torrent download locations thepiratebay.se Yura Yura Teikoku - Yura Yura Teikoku No Shibire Audio Music 21 hours monova.org Yura Yura Teikoku - Yura Yura Teikoku No Shibire Other. Oct 23, 2017 - Yura Yura Teikoku's first full albums were of prog-ish psychedelic music on their own Jigoku. Yura Yura Teikoku No Shibire Rar 5/10/2018 Here you can download yura yura teikoku live Shared files found Uploaded on TraDownload and all major free file sharing websites like 4shared.com, uploaded.to, mediafire.com and many others.
Raw electrifyingriffs, intense melodic bass loops, flashy sonic sounds, deep electronic beats andbeguiling pop tunes; the reincarnation of the dying modern youth, an elegy to theboogying guitars of a zombified Sonics,cracked on Suicide and devouring theflesh of Can; this is Yura YuraTeikoku (ゆらゆら帝国)!!
It took 16 yearfor this Tokyo underground three-piece set, formed in 1989, to finally meetsome attention overseas. With the success of their 2005 album Sweet Spot (forMesh-Key records), the band ventured to New York for a few minor concerts provingthe American audience that they could beat the carcass of any dead rock starlegend with their electric riffing strains and psychedelic refrains. Howeverwhat they [the audience] were listening to they had no idea. Sometimes the Japanesegroup seemed to fall into a noise oriented post-rock constant of some sort ofnipponic Sonic Youth. Other times the electronics soared higher reaching the voltaicsound of Stereolab. In further occasions the psychedelism of krautrock filled in; but in all, reminiscences of alater Link Wray and art-punk Television (sometimes even high beats of Led Zeppelin)drew their power in the background.
But on theircreation, Yura Yura Teikoku had a very different composition. Their early stage performances -long hair, no shirt, shaking heads – evoke a nostalgic feelingfor an old 70’s Japanese garage show where Shinki Chen would happily allowhimself to trash some psychedelic melodic lo-fi garage punk-rock [in anotherdimension]. Consisting of three guitars and one drum case, the Japanese bandtranspired hefty vibes of unpretentious garage rock (their more experimentalworks would only come a few years later). Characterized by the heavy plodding drumsof Onsen Shimoda, the dissonant screaming lo-fi voice of guitarist/vocalistShintaro Sakamoto (坂本慎太郎) and biting dancing riffs, the sound that arises is raw andstinging.
With time howeverthe songs would become more poppy and structured (even though the raw roots wouldalways remain in their sound). The last album with Onsen Shimoda, Are you Ra? (1996), already lights the path the band would follow in the futureperiod. However only with the entrance of drummer Ichiro Shibata (柴田一郎) would the group take a more definedroute to their music. In 1997 the band’s arrangement changed to a fixed threeset with Shintaro Sakamoto on vocals and guitar, Chiyo Kamekawa (亀川千代) as bassist and Ichiro Shibata on thedrums. The first albums recorded under this configuration resulted in an epictrilogy for the Midi label (3x3x3, Me noCar, Yura Yura Teikoku III). Here the recordings seem to have found consistencyin jamming psychedelic pop tunes, catchy and danceable sonorous flows; a psychedelic triumph.
Now evolved to apop dream of slack sweaters and tight jeans, the Japanese trio opened the doorsto greater experimental desire. After the groovy Yura Yura Teikoku III, the band released two new albums (Yura Yura Teikoku No Shibire and Yura Yura Treikoku No Memai) in the sameyear. This time the recording counted with the collaboration of other “guest”musicians who joined the sessions to take the trio sound even further; keyboards,organs and beat synthesizers were added to the psychedelic rocking trendmaking it flow on even more progressive sources. The sound is not comparable tothe previous releases as it approaches much more than before the boundaries ofelectronic ambiance. A feature that seems to cling and is taken along intotheir last two albums (Sweet Spot andKudo Deso).
Yura Yura Teikoku No Shibire Rar Torrent
Trying to choosea single album against all others is an aching task. To pick a record fromtheir first heavy rocking years with Onsen Shimoda, from the epic psychedelicgarage pop trilogy, or from the awesome electronic pop “faces” (No Shibire and No Memai), the gritty live performance of Na.Ma.Shi.Bi.Re.Na.Ma.Me.Ma.I, or the last fiery recordings oftheir career would just be the same as choosing a mental state, a mood overother and that's sacrilegious; YYT’s sound behaves like a mutant monster,altering shapes and currents of melodic programs; of acid rushing the bloodtunnels tripping from a soft cradle of Japanese pop to a dancing cube of redneon guitars; a pop-punk garage rockin’ revival (however I will post a nice compilationfrom the years of 1998-2004, so that a taste can be given).
official website
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Raw electrifyingriffs, intense melodic bass loops, flashy sonic sounds, deep electronic beats andbeguiling pop tunes; the reincarnation of the dying modern youth, an elegy to theboogying guitars of a zombified Sonics,cracked on Suicide and devouring theflesh of Can; this is Yura YuraTeikoku (ゆらゆら帝国)!!
It took 16 yearfor this Tokyo underground three-piece set, formed in 1989, to finally meetsome attention overseas. With the success of their 2005 album Sweet Spot (forMesh-Key records), the band ventured to New York for a few minor concerts provingthe American audience that they could beat the carcass of any dead rock starlegend with their electric riffing strains and psychedelic refrains. Howeverwhat they [the audience] were listening to they had no idea. Sometimes the Japanesegroup seemed to fall into a noise oriented post-rock constant of some sort ofnipponic Sonic Youth. Other times the electronics soared higher reaching the voltaicsound of Stereolab. In further occasions the psychedelism of krautrock filled in; but in all, reminiscences of alater Link Wray and art-punk Television (sometimes even high beats of Led Zeppelin)drew their power in the background.
Yura Yura Hearts Grow
But on theircreation, Yura Yura Teikoku had a very different composition. Their early stage performances -long hair, no shirt, shaking heads – evoke a nostalgic feelingfor an old 70’s Japanese garage show where Shinki Chen would happily allowhimself to trash some psychedelic melodic lo-fi garage punk-rock [in anotherdimension]. Consisting of three guitars and one drum case, the Japanese bandtranspired hefty vibes of unpretentious garage rock (their more experimentalworks would only come a few years later). Characterized by the heavy plodding drumsof Onsen Shimoda, the dissonant screaming lo-fi voice of guitarist/vocalistShintaro Sakamoto (坂本慎太郎) and biting dancing riffs, the sound that arises is raw andstinging.
With time howeverthe songs would become more poppy and structured (even though the raw roots wouldalways remain in their sound). The last album with Onsen Shimoda, Are you Ra? (1996), already lights the path the band would follow in the futureperiod. However only with the entrance of drummer Ichiro Shibata (柴田一郎) would the group take a more definedroute to their music. In 1997 the band’s arrangement changed to a fixed threeset with Shintaro Sakamoto on vocals and guitar, Chiyo Kamekawa (亀川千代) as bassist and Ichiro Shibata on thedrums. The first albums recorded under this configuration resulted in an epictrilogy for the Midi label (3x3x3, Me noCar, Yura Yura Teikoku III). Here the recordings seem to have found consistencyin jamming psychedelic pop tunes, catchy and danceable sonorous flows; a psychedelic triumph.
Now evolved to apop dream of slack sweaters and tight jeans, the Japanese trio opened the doorsto greater experimental desire. After the groovy Yura Yura Teikoku III, the band released two new albums (Yura Yura Teikoku No Shibire and Yura Yura Treikoku No Memai) in the sameyear. This time the recording counted with the collaboration of other “guest”musicians who joined the sessions to take the trio sound even further; keyboards,organs and beat synthesizers were added to the psychedelic rocking trendmaking it flow on even more progressive sources. The sound is not comparable tothe previous releases as it approaches much more than before the boundaries ofelectronic ambiance. A feature that seems to cling and is taken along intotheir last two albums (Sweet Spot andKudo Deso).
Trying to choosea single album against all others is an aching task. To pick a record fromtheir first heavy rocking years with Onsen Shimoda, from the epic psychedelicgarage pop trilogy, or from the awesome electronic pop “faces” (No Shibire and No Memai), the gritty live performance of Na.Ma.Shi.Bi.Re.Na.Ma.Me.Ma.I, or the last fiery recordings oftheir career would just be the same as choosing a mental state, a mood overother and that's sacrilegious; YYT’s sound behaves like a mutant monster,altering shapes and currents of melodic programs; of acid rushing the bloodtunnels tripping from a soft cradle of Japanese pop to a dancing cube of redneon guitars; a pop-punk garage rockin’ revival (however I will post a nice compilationfrom the years of 1998-2004, so that a taste can be given).
official website
Yura Yura Osu
Download pt.1Yura Yura Lyrics Naruto
Download pt.2