- Guitar Amp 6sn7 Sound Machine
- 6sn7 Guitar Amp
- Guitar Amp 6sn7 Sound System
Best headphones for guitar amps 2020: practice in peace with the best guitar amp headphones By Amit Sharma 06 November 2020 From studio cans to noise cancelling headphones – and even headphones that are the amp – check out the best headphones for guitarists, from Boss, Audio-Technica, Sennheiser. The Amp 100 is the new high power addition to The Amp model line that set the standard for pedalboard sized tube/Class D hybrid guitar amps in 2018. Maximum wattage has been increased to 100w and an integrated FET boost circuit and dual control reverb has been added. A black finish with Walnut end panels and silver knobs completes the new look. 1 Matched Pair Shuguang Natural Sound Vacuum tube 6SN7-T 6N8P/6SN7/6H8C/CV181. $169.99 $ 169. FREE Shipping. Guitar Amplifier Parts; Electric Guitar Power Amps.
There has been some recent discussion here of octal preamp tubes. There are several boutique guitar amps using these tubes. The octal preamp tubes I am familar with were used in tweed Fenders and many other vintage tube amps. Can I solicit some opinions from anyone who has tried any octal preamp tubes?
The 6SJ7 is a pentode preamp tube that was used in the first Fender Champ. Many of these have a metal envelope, but glass bottle ones are available. Phil recently mentioned using one in a tube pedal. In the Angela Instruments online tube list, Steve compares the tone with the EF86. Sort of interesting and he has NOS 6SJ7's for $8. I wasn't able to find any new production for this tube. Has anyone out there tried this tube? Can you recommend a particular brand for tone or sturdiness?
Guitar Amp 6sn7 Sound Machine
The 6SL7 is a high Mu (amplification factor of 70) twin triode. It was used in the early Princton and Bassman. This would seem to be an excellent candidate considering it's gain but it has a reputation for being noisy. Can anyone confirm that? There seems to be only one modern version available.
After that the 6SN7 1.8W and my 18W normal channel looked very similar on the bench with the test signal, and also sounded very similar with a guitar plugged in. There was a noticeable difference. Buy New 1 Matched Pair PSVANE 6SN7-SE HiFi AMP Vacuume Tube Re 6SN7 CV181 6N8PA: Tubes. 1 Matched Pair Shuguang Natural Sound Vacuum tube 6SN7-T 6N8P/6SN7/6H8C/CV181 1 offer from $169.99. #1,037 in Guitar Amplifier Tubes #65,332 in Music Recording Equipment: Date First Available October 29, 2019.
The rest of the tweed Fenders used the 6SC7 twin triode(amplification factor 70). No modern versions are being made. Also has a reputation for being noisy. Anyone using these in a homebrew?
The 6SN7 twin triode(amplification factor 20) is the octal preamp tube most people seem to be using despite it's low gain. It is said to be quieter than the other octal twin triodes and is used in many tube hi-fi amps. There are several modern versions of this tube available also. Does anyone have an idea which are the quietest and how they sound?
6sn7 Guitar Amp
I am also interested in trying the 7199 in a preamp. This is a 9 pin miniature tube not an octal, but it is interesting. It has a pentode and a triode in a single bottle like the ECL82 and ECL86. But the pentode section is not a power amp like those other tubes. It is a preamp pentode. So the pentode section could be used at the input and cascaded to the triode section either before, or after, the tone controls. Should have plenty of gain. Anyone tried this tube in a preamp?
markd
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Posted: 01 Oct 2013, 22:12 |
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Joined: 28 Dec 2010, 22:07
Posts: 352 | Hi all,
I'm proposing an idea so people can comment on it and I can gain some perspective. I may end up building this amplifier.
Audiophiles like 6SN7s. They also seem to like low-power triode amplifiers. The idea here is that, because the power is so low, less amplification has to happen before the speakers are driven. Then the listener relies on super-efficient speakers so the 3 watt amplifier sounds like a 50 watt transistor amplifier driving cheap speakers.
To this end, I am thinking of an amp using a 6U8A pentode/triode that feeds a 6SN7 output stage. The pentode will have a fair amount of gain (much more than the usual triode stage) and accept feedback on the cathode. The triode will directly couple to the pentode amplifier stage and act as a phase splitter. The 6SN7s are a push-pull stage. With 350v on the plates I could probably get 3 watts from the output stage. The triodes would work with fixed bias, allowing for a higher level of output power that possibly hinges on 5 watts per channel. Again, I don't need a lot of power.
Thanks for your input.
Ed
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Posted: 02 Oct 2013, 07:53 |
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Joined: 27 Jun 2011, 10:13
Posts: 146
Location: PA | A 6sn7 can take 500V B+ on the plates with no prolbem. Afther all it was used for a vertical output tube in 1940's TV sets.
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Posted: 02 Oct 2013, 15:48 |
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Joined: 04 Jun 2008, 20:59
Posts: 4285
Location: Arizona, USA | Hi, It would probably work, but my sense is that you will be lucky to get more than 1-2 watts clean out of it. Still a worthy project. For triode based power amp stages I usually figure that they can not really deliver more than about 30% of their max dissipation rating. The 6SN7 (both triodes operating) can only dissipate 7.5 watts. At max output the distortion will typically be about 10%. Backing it down to about 75-80% of max will usually yield a much nicer sounding amp. PP with fixed bias is probably the way to go. I would probably design it with a CCS in the cathodes. Just personal preference. Even then I might put about 5-6 volts on the grids to overcome the minimum voltage needed by the CCS to function best.
Good listening
Bruce
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Posted: 03 Oct 2013, 01:09 |
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Joined: 08 Aug 2009, 03:11
Posts: 2229
Location: Chilliwack, BC | A 6sn7 can take 500V B+ on the plates with no prolbem. Afther all it was used for a vertical output tube in 1940's TV sets. Yep! I use them as drivers for audio amps using transmitter output tubes. Use 600V on one 845 and it's lived three years same set of tubes!
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Posted: 03 Oct 2013, 17:29 |
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Joined: 27 Jun 2011, 10:13
Posts: 146
Location: PA | I use 6SN7's in my 813 PP amps and have used them in my 211 PP amp with 550 on the paltes and they have lasted for years no prolbem.
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Posted: 05 Oct 2013, 01:41 |
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Joined: 28 Dec 2010, 22:07
Posts: 352 | I'm still working on the design. Here's what I'm thinking...get a 10 watt OPT that's meant for 6V6s and run two 6SN7s per channel in a push-pull parallel set up. That would give roughly the right impedance for the plates, plus the tubes could shove more power. I'd have a 6CG7 to amplify the signal right from the input jack and feed the volume control. This stage would be outside the normal feedback loop and ideally have a low gain, like 5. It would feed the volume control and the 6U8A pentode, which would be inside the feedback loop. For the OPT, I'm thinking something like an Edcor GXPP 10K-8. I don't like putting CCSs in tube amplifiers unless they themselves are made with tubes. It's a big tube world out there and you may do what you like, this is just what I like to do.
Ed
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Posted: 09 Oct 2013, 14:05 |
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Joined: 06 Jun 2008, 18:23
Posts: 5310
Location: Australia |
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Projects: 'Carbon” - MM phono preamp | 180W RAW Class D amp | 'Illusion' - 6SN7 SRPP preamp in a plastic jiffy box | “Salt Cellar” - Mono 807 triode integrated amp |
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Posted: 09 Oct 2013, 14:13 |
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Joined: 04 Jun 2008, 20:59
Posts: 4285
Location: Arizona, USA | Hi, All pretty much standard except for the 6CG7. Why that particular tube, particularly since they are getting costly. A 12AU7 might be a better choice. 6CG7s make pretty good drivers if you need current, but as a voltage amplifier they may introduce more noise because of the higher idle current needed to stay on the best part of the gain curves.
Good listening
Bruce
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Posted: 09 Oct 2013, 14:48 |
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Joined: 02 Mar 2009, 12:41
Posts: 1111
Location: Vänersborg, Sweden | I think the Firefly is based on 6SN7, but that could be a guitar amp.
Else I have ideas for a 6SN7-SE using parallelled 6SN7s:
http://www.hififorum.nu/forum/topic.asp?TOPIC_ID=89277
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Posted: 10 Nov 2013, 03:39 |
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Joined: 28 Dec 2010, 22:07
Posts: 352 | Gents,
In a few months, I should be at a point where I can go forward with this. I don't have a schematic but I can describe it to you. Those of you who know what a push-pull amplifier looks like will have no problem visualizing it. Those of you who don't can look it up.
Stage 1: a triode preamplifier. Most likely a 6N2P or 6922 triode, one per channel.
Stage 2: a volume control. Potentiometer. 100K or 500K, depending on what I have.
Stage 3: a pentode voltage amplifier, accepting negative feedback. A 6U8A
Stage 4: a triode, split-load phase splitter. A 6U8A.
Stage 5: a triode push-pull stage, 6SN7. One entire tube per channel.
For now, I'm intending to use a Hammond 269JX per channel, ensuring I can bias my output stage rather hot and not have any problem with output. The feedback is for the purpose of taking the higher gain and turning it down into something more usable, while removing distortion caused by the tube stages. I also got some 70v 10w line transformers ($3 each) that will be the output transformers. I'll use the 0.625w and common taps to touch the plates and use the 2.5w tap for B+. I'll also double the impedance of the speakers used on the output, meaning I'll get 16K ohms, plate to plate, instead of 8K. The 6SN7 likes higher impedance.
No telling when I'll start this project.
Ed
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Guitar Amp 6sn7 Sound System
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